As spring has sprung, Fr. Raymond de Souza reflects on how the Kingston Symphony’s melded-together performance of two vastly different compositions show that while man and nature often collide, God’s creation is still a garden.
Dayna Slusar says the latest remake transforms Louisa May Alcott’s 19th century classic into a dazzling mosaic of 21st century sisterhood.
The less-than-purrfect Cats movie presents an underlying problem with the way in which our entertainment industry claws at art and replaces it with something in-fur-ior.
During the years he spent knitting together a vast artwork of ecumenism, Kirk Dunn thought he might be wasting his time. Convivium’s Rebecca Darwent writes that what he produced is just what our present time needs.
While listeners puzzle over what to make of Kanye West’s new Gospel album, Jesus is King, Aaron Neil argues that Ye’s Christianity has been part of his music all along.
Collin Pierlott hears the presence of God in music – even when words are absent.
Montreal actor, singer and writer Alisha Ruiss reflects on the way a collaborative event she long dreamed of creating was given flesh by musical theatre artists at the city’s Segal Centre this past spring.
Premier Jason Kenney’s no-frills swearing in gives Father Raymond de Souza time to turn from politics to art and find beauty in the work of human hands.
Children remind us not to look backward in nostalgia, but to look forward to a freedom that childhood merely prefigures, writes author Jennifer Trafton. The Mary Poppins sequel is a piece of art that unpacks the variety of gifts that imagination offers—and the freedom it promises.
An Ottawa production of The Lion, the Witch, and the Wardrobe leaves Convivium’s Rachel DeBruyn sensing the anticipation of Advent and the impact of the way in which we remember.
Our reviewer, John Robson, caps his acid pen after discovering that a musical version of “The Hockey Sweater” scores where Roch Carrier’s original short story whiffed worse than the Leafs trying to make the playoffs.
Patti Smith—the punk poet laureate—identifies Christ as an artist, crafting his ideal of salvation with imagination. Smith’s own art and imagination, writes Convivium Publisher Peter Stockland, is a cry against the modern mania for “God usurped by Goal.”
Famed street painter Banksy’s sneak attack on his own freshly auctioned work may seem like hanky-panky for philistines, but Convivium’s Rachel DeBruyn contends it’s of a piece with the artistic urge to create, destroy and m’oeuvre it on over again.
Josh Nadeau finds virtue in the signals sent by superhero cinema.
In the monumental Quilt of Belonging, writers Sharon Dawn Johnson and Peggy Arnell discover, human eyes can witness God’s purposeful, guiding hand at work
With a new production of Godspell about to open in Ottawa just before Easter, Convivium’s Hannah Marazzi talks to artistic director Jonathan Harris about what makes a 48-year-old play about 2000 year old Scriptures such captivating theatre for today’s audiences.
Martin McDonagh’s latest film brilliantly blends the Bible and pitch black comedy, writes Convivium reviewer Erik DeLange.
Do you have liturgy at the ready for ordinary life? Today, Convivium contributor Anthony Diehl reviews Doug Mckelvey's Every Moment Holy, a liturgical companion that baptizes the everyday in prayer.
Director Denis Villeneuve’s Blade Runner 2049 is far more than a sequel to the 1982 classic about robot rebellion. It recovers from the dregs of techno-saturated hedonism, Convivium reviewer Stephen Porter writes, a theology of the body making dignity inseparable from sexuality ordered toward life
As the Convivium Team reflects on the launch of the Sacred Spaces Gallery, Hannah Marazzi sits down with Makoto Fujimura, artist, writer, and catalyst to understand the role of beauty, belonging, and art as signs of the New Creation.
Photographer Rob Wilson submits this photograph as a testimony to the art and song of creation.
People of faith pursue God, but gospel musician Brooke Nicholls reminds us in this Convivium interview that God also pursues His people. The meeting place between them, the Chatham Ontario native tells Hannah Marazzi, is invariably touched by beautiful song.
Today Father Raymond J. de Souza revisits the light and beauty of Caravaggio's timeless work ‘The Calling of St. Matthew’ and the truth it continues to communicate to viewers in this day and age.
Father Raymond J. de Souza delivers a thoughtful essay on the purpose and patronage of public art.
